In 2016, Edgar Pêra released The Amazing Spectator, a playful investigation into cinema’s disquieting essence that had everything from negative film images of boobs and positively splendid interviews to a donkey hand puppet. The film and an accompanying book formed his PhD thesis. But as so often with him, projects turn into obsessions – especially when there are masses of notions not pondered, thoughts not elaborated upon. And so KINORAMA - Beyond the Walls of Cinema was born, a stand-alone continuation of The Amazing Spectator that looks at cinema’s future in cyberspace and, accordingly, perhaps the end of its enslavement to figurative representation, the 'stupid sacred in narrative cinema' (to use a Pêra’ism), realism and artificiality in 3D cinema, and many other aspects.

In a Singapore children's home, girls navigate friendship, hope, and identity, illuminating unseen stories in a poignant exploration of resilience.

Who am I? What is real? How to live in the madness of the world? These are questions posed by six people who have had psychosis and speak openly about their experience. They have in common that they think deeply, and that at particular moments in their lives, they were under intense personal and social pressure. 　　The Desert of the Real draws the viewer into their lives before the pivotal events, the psychosis itself, the intensive treatment and the road to recovery, in full awareness that what has occurred cannot be undone. The unguarded and emotional interviews, conducted in their familiar surroundings, are interspersed with staged situations that evoke the interviewees’ experiences of being in a reality that is manipulated, as if in a movie. 　　The film offers a clear perspective on what it’s like to have psychosis, while also raising questions about how we, as a society, treat one another. One the six offers their view on psychosis as “A normal response to a completely crazy and disturbed society.”

A young runaway rejects society's condemnation and dares to fulfill his dreams. France, 1930s. 14-year-old orphan Yves Tréguier sees the world through the bars of "educational homes" where he is raised in conditions worthy of a penal colony, and dreams of a dramatic escape across the ocean to New York.

A young runaway rejects society's condemnation and dares to fulfill his dreams. France, 1930s. 14-year-old orphan Yves Tréguier sees the world through the bars of "educational homes" where he is raised in conditions worthy of a penal colony, and dreams of a dramatic escape across the ocean to New York.

Making of documentary for the 2006 horror film 'Driftwood'.

Three girls who live at a boarding school discover an old fireplace. The youngest of the three, Sammy, is told an old story by the older two about "The Lady in the Walls." What started off as "just a prank" went further than what these three girls wanted to go.

The Real is an American talk show that is hosted by Tamar Braxton, Loni Love, Adrienne Bailon, Jeannie Mai and Tamera Mowry-Housley. The series debuted on July 15, 2013, and airs in seven Fox owned markets: New York, Los Angeles, Washington D.C., Philadelphia, Phoenix, Houston and Tampa. The Real completed its four week summer in 2013. If approved by Fox, the series will receive a nationwide syndicated launch in 2014. In 2016, it was announced that Tamar Braxton would depart from the series due to her deciding to focus on her music career and to still be on Braxton Family Values.

The Real is an American talk show that is hosted by Tamar Braxton, Loni Love, Adrienne Bailon, Jeannie Mai and Tamera Mowry-Housley. The series debuted on July 15, 2013, and airs in seven Fox owned markets: New York, Los Angeles, Washington D.C., Philadelphia, Phoenix, Houston and Tampa. The Real completed its four week summer in 2013. If approved by Fox, the series will receive a nationwide syndicated launch in 2014. In 2016, it was announced that Tamar Braxton would depart from the series due to her deciding to focus on her music career and to still be on Braxton Family Values.

A young couple is terrorized by the former owner of the home they now occupy. Instead of a honeymoon, life becomes a cat and mouse game for these newlyweds as they try to survive being hunted by a man who knows every inch of the residence better than they do; and who has nothing left to lose.